The Bedford Clanger is dedicated to spreading the word about the rich and diverse cultural activities that are available in our town. We are so lucky to have some great museums, theatres and galleries on our doorstep as well as inspirational artists, poets, makers, crafters and performers making great art happen in Bedford. Therefore, we are totally LOVING The Culture Challenge – an initiative to encourage more young people to access art and culture in Bedfordshire.
Through consultation with young people, cultural leaders and teachers, Bedford Culture Network has developed the ‘Culture checklist’. The list provides an aspirational checklist for young people, and a practical tool for schools to identify opportunities for cultural learning.
Think you’re cultured?? Then why not have a go at the Culture Checklist yourself here.
Research identified by the Cultural Learning Alliance shows that engagement with the arts improves attainment across all areas (you don’t say? – Ed) and has the potential to improve the future prospects of young people. In support of these aims Bedford Culture Network have developed The Culture Challenge. Both a call to action and a directory, The Culture Challenge aims to increase the number of young people accessing, enjoying and making great art and culture by providing clear information to all schools about the cultural provision available.
The Culture Challenge website is www.culturechallenge.co.uk
The website is a brilliant and comprehensive directory of a host of cultural practitioners and venues in Bedfordshire. The directory is searchable in a number of ways including by theme, art form and location.
It has been developed by Kayte Judge at Bedford Creative Arts in collaboration with head teachers, young people & cultural practitioners. It is currently being tested by 12 development partner schools, namely Lincroft, Mark Rutherford Upper, St Josephs RC Lower School, Aspley Guise Lower School, Hazeldene Lower School, Beauchamp Middle School, Goldington Academy, Shortstown Primary, Putnoe Primary, Biddenham Upper School, Rushmoor School and Greys Education Centre.
“It is with great pride that we are launching the Culture Challenge in Bedford – the wealth and quality of the cultural provision here is really quite astonishing and we hope that this initiative will enable more young people and schools to access the fantastic opportunities available to them.” says Kayte Judge, Associate Producer Bedford Creative Arts. “We hope to encourage teachers to use this resource to find quality cultural provision to support the school curriculum.”
The website www.culturechallenge.co.uk
For more info please contact Kaytej@bedfordcreativearts.org.uk
by Ian McEwen of Ouse Muse
On 11th December Andrew Motion, one of the leading poets writing today, is coming to The Place Theatre. Andrew was Poet Laureate 1999-2009 and is Professor of Creative Writing at Royal Holloway College, London. He has also been knighted for his services to literature. His most recent book of poetry is The Customs House which the Guardian called ‘Lucid, brilliant….Motion’s most achieved collection’. (You can read the full review here).
He answered a few questions for The Clanger:
Andrew, you introduced the idea that the Poet Laureate could serve a time limited term – ten years (and nothing off for good behaviour). The Customs House is your first poetry collection for some time to escape from the shadow of office. Has that changed your writing?
Probably. I’ve certainly felt less constrained, in terms of my approach to subjects (I’m naturally inclined to be more oblique in my treatment of things than ‘public poetry’ finds it easy to be), and in my approach to formal questions (in the sense that I find myself moving towards free-er forms as time passes). Then there’s the whole question of being completely at liberty to chose what I do and don’t write about… .
One of the main departures in the book is the extensive use of found texts, that is to say things that others have already written. This technique is particularly evident in the opening section of war poetry, Laurels and Donkeys: why did you take that turn?
Found poems have always interested me, and I thought there was a particular use for them when I was writing Laurels and Donkeys. However well-intentioned non-combatant poets might be, there’s always a risk they’ll seem like grandstanders when they write about war. Using the words and witness of people who were ‘really there’ is a way round this problem. In other words, I hardly want to be in these found poems as my ‘self’. I want instead an almost ego-less kind of poetry, with a minimal amount of subjective interference in the subject.
You have been a major supporter of Poetry Out Loud, the recitation competition for schools. What does an audience gains from hearing your poems read aloud?
As co-founder of the Poetry Archive and of Poetry by Heart I have tried to make manifest in the most practical ways my belief that the pleasure (let alone the ‘meaning’) of poetry has as much to do with the way it sounds aloud as it does with its patterning and sense on the page. The ear, as Robert Frost reminds us, is ‘the best reader’.
Why is it, after all the subtle, careful poems, it is the earworm of ‘Magpie’ that stays with me ‘along with glass and pins/and other shining things.’?
I’m glad you like that poem, which is the most elliptical of all the poems in the book. I’m inclined to think that’s why you remember it. Because whatever it means keeps flying ahead of you.
What next, more of the same or something different?
A new collection is being published next June; I’m just putting in and taking out the last commas at the moment. It’s called Peace Talks. Is it ‘new’? More like a development I’d say, including some more poems for the Laurels and Donkeys sequence – among them a longish sequence based on conversations I’ve had with soldiers returning from Afghanistan (more information about the Radio 4 broadcast on November 11th here).
Catch Sir Andrew Motion reading from The Customs House at The Place, 7.30pm on 11th December.
The Delines play the Ent shed on Castle Road 8th Nov .
Described as New Country meets Soul, they have a very well-received new album out called ‘Colfax’. Led by American author and musician Willy Vlautin, previously the kingpin of Richmond Fontaine, their sound occupies the time just before falling asleep after a hard day and, as you would expect from an author, the songs are stories, telling tales of characters somewhere between the American dream and destitution.
Tickets are £12 from http://www.wegottickets.com/event/287259
Heaven 17 first hit the charts in the early 80s, having formed from The Human League. Everyone and their mum knows their biggest hit ‘Temptation’, a classic tune that has endured, but they also released two electronic pop masterpieces with the albums ‘Penthouse and Pavement’ and ‘The Luxury Gap’. New pop fox La Roux is a big fan and they’re hitting the Bedford Corn Exchange on November 7th, co-headlining with Blancmange! (Living on the Ceiling, Don’t Tell Me).
We spoke to singer Glenn Gregory about what he’s been up to…
Clanger: Have you been to Bedford before?
Glenn: Yeah, a long time ago, with Terry…(?)
C: Have you Toured with Blancmange before?
G: No, this is the first time but Martin had produced the demo for ‘Living on the Ceiling’ back in 1980, so there is a connection.
C: What are Heaven 17 listening to at the moment?
G: Well, I’ve been doing a tour called the Man Who Sold the World with Tony Visconti and Woody Woodmansey, amongst others and that entailed learning 22 Bowie songs, so that took up my time recently. Plus we’re working on our own material for the new Heaven 17 album…
C: Sheffield is a hotspot for musical talent, what could you put that down to?
G: When we were young and started out there was just nothing to do! With the collapse of the Steel industry and the cutlery companies, there were a lot of empty buildings and factories. We’d rent them cheap and use them for studios and have parties. People are still producing good stuff there, I think Sheffield people are ‘do-ers’.
C: Did you have any other names lined up before Heaven 17?
G: Yes, There were about 7 names, can’t remember all of them, though some were from the book/film ‘Clockwork Orange’, including; Goggly Gogol, Wordmaster, Monolith (metal?!) That’s where the name Sparks & Moloko come from as well…
C: Fave 80s bands ?
G: Lots of electronic stuff, Kraftwerk, Utravox, Duran Duran…..
C: Any clues what direction the new tunes are going in ?
G: This is the first time we’ve been in the studio for 14 years, previously we’d work separately and send files and bits back and forth. We’re using some original synths as well as new technology, with the similar electronic, dance and funk influences as before.
C: Anyone you’d like to work with?
G: Well I ticked that box 6 months ago with the BEF 3 project (British Electric Foundation) with collaborations with Sandie Shaw, Boy George & La Roux, amongst others…I also performed with La Roux recently, really rate her work.
C: Any interesting experiences filming Top of the Pops?
G: They were interesting experiences, a very small studio, with about 20 people in the audience shuffling from stage to stage. The best thing was at home Christmas Day round the dinner table with my mum to watch myself on Top of the Pops!
C: Any cheese you find a temptation?
G: Ah, that’s left field!. Er, cheese…which cheese? Gouda!
C: Good choice!
Pad Presents: Heaven 17 with Blancmange at Bedford Corn Exchange on Friday 7th November.
Check www.heaven17.com for more info…
Saturday 8th November 2014. 7.30pm. St Peter De Merton Church, De Parys Ave, Bedford. MK40 2TX
We’re really looking forward to seeing the latest collaboration that Bedford based No Loss Productions are involved in. They are teaming up with the Royal British Legion, Bedford and District Branch to present What Then Was War?, a poetry and music evening to mark the Centenary of the First World War.
The evening will feature readings from the War Poets by local actors, music of the period and specially commissioned pieces by local composer Sophie Viney.
Sophie told us why she got involved:
“I was drawn to this event as it provided a platform through the medium of spoken word and music to reflect on the changes in attitude toward the Great War, from the initial stages of patriotism through to its swift and utterly devastating reality. The opportunity to create new music in collaboration with local artists in response to this legacy has been an inspiration. It has been fascinating sourcing text via local historian Richard Galley for one of the original compositions To The Seaforths – a poem written by an anonymous Bedford woman in 1915 about 5th Battalion (Territorial) Seaforth Highlanders stationed in Bedford. I have also set Jessie Popes’ war time poem ‘Socks’ – an intimate and poignant work giving a female perspective on war time experience. The music also comprises contemporary arrangements of songs sung by soldiers in the trenches – songs that highlight brutal truths, often though the use of humorous lyrics and parodies of songs and hymns of the time.”
Also taking part will be Bedford Arts Choir under the direction of Roger Illingworth and Bedford Choral Society Chamber Choir under the direction of Ian Smith.
The evening is part of a larger project ‘The Legacy of the 1914-18 War’, in Bedford. The project provides a series of educational and cultural experiences that engages the population of Bedford and the surrounding district in the centenary of the commencement of the 1914-18 War.
Along with the Poetry and Music evening a series of Lectures featuring speakers from Bletchley Park, the British Museum, the Imperial War Museum, University of Bedfordshire, local military historians and Bedford Gurdwara are planned over the next few years. At the core of these lectures will be an examination of the ways in which freedoms, relationships and technologies we take for granted today stem from developments which occurred during the war. This will include the role of women, the contribution of the Indian army and Bedford Regiment, technical advancements and an understanding of ancient civilisations as a result of archaeological finds.
Thanks go to Bedford Creative Arts, Heritage Lottery Fund and Arts Council England for support of this project
Tickets are on sale at the Central Box Office, Tourist Information Office,
Tel: 01234 718112 £8 full price (£6 Concessions)
I’ve been working here at Boutique Planet for about 5 months now and I love working for an independent local business. I love working here because as much as I love working with fashion, it’s mostly because I get to engage in a whole community of people. People that are really passionate and enthusiastic about what it is to be a local business.
Boutique Planet likes to foster new local talent and we’ve recently taken on a new line of jewellery from Maker/Designer Jade Hibbert.
I managed to steal five minutes of Jade’s time to talk about what her work is about and she had this to say:
“My work is a result of consistent yet inconsistent methods of making, meaning the processes are the same yet the finished pieces all turn out differently.
My work is also a result of things I haven’t seen in stores yet wished there were places that stocked such items.
All my jewellery is handmade one by one, no casting involved, so I think people have more of an appreciation for handmade finish and design. I like the fact the imperfections are exploited; even pair of studs are not the same, which I find interesting.
I take inspiration from a designer called Alexandra Dodds, a New Zealand designer. As you’ve seen, my work is quite rustic and organic which I prefer as it takes less time to achieve perfection but also I find it interesting when a material takes a natural form, unlike us as humans who try to perfect everything.
I work with mostly Silver (sterling) but have worked with Brass, Copper, Resin Wood and Gold in the past.”
We love Jade’s work here at Boutique Planet and love showcasing new talent.
Jade’s pieces sit wonderfully along side the new season collections in store.
Great Plains knitwear accessorized by delicate silver bangles and White Stuff dresses paired with minimalist earrings. Nothing could be better!